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Chapter 2

Panel & big ideas

Four coloured tracks, tap versus hold, the seven layers and every screen.

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In this chapter · 10
  1. 2.1The front panel under SLOOP
  2. 2.2Four tracks, four colours
  3. 2.3Tap for pages, hold for a layer
  4. 2.4Locking a layer open
  5. 2.5Every button on its own
  6. 2.6Pages, the SELECT knob and GO values
  7. 2.7The screens
  8. 2.8The visualiser
  9. 2.9The HOME menu
  10. 2.10Lights and knob feel
2.1BasicsGUIDE.md §2

The front panel under SLOOP

SLOOP keeps the FM-1’s printed labels but gives most controls new jobs. Pick a control below to see what it does when tapped, turned or held.

Track
Hold
REAR EDGEAudio outMIDI inUSB-CPowerTRACKS90 BPM1 808 BOOM2 RHODES3 LOFI FLUTE4 KIT 808SWINGLEVELSTEPSPANMASTERSELECTPRESETSALGORITHMKNOB1KNOB2KNOB3KNOB4OCT-OCT+FXSELENVLFOEDITGLOHOMESAVEARPSEQPLAYSTOPREC12345678910111213141516F#3G#3A#3C#4D#4F#4G#4A#4C#5D#5F#5

Pick a control, or hold a layer.

Under SLOOP every function button has two jobs: tap it for its pages, hold it and the 16 white keys and four knobs change job. Choose a layer above to see what each key and knob does, and a track to see the keys as a synth or as the drum kit.

Our own schematic of the FM-1 running SLOOP 2.8.5, from GUIDE.md §2, §5, §9 and §15 · not to scale

ControlTap or turnHold
PLAYStart or stop all four tracks—
RECArm, record, or close a free takeAbout 2 s: clear the selected track
HOMEThe TRACKS screen; on TRACKS, the visualiser0.7 s: the menu
SAVEThe SONG screen from TRACKS; the SAVE pages elsewhereThe song layer
ENV LFOEnvelope and LFO pagesNo layer
FX SEL EDIT ARP SEQ GLOTheir pagesTheir layers
OCT- OCT+Octave down or up; both together: back to 0Drum track: ghost or hard hits
ALGORITHMSelects track 1–4—
PRESETSThe selected track’s sound, or the drum kit—
SELECTTempo, or the previous and next page—
KNOB 1–4Whatever the four dials on screen show—
MASTERVolume for headphones and line out—
Keys16 white keys, F3 to G5, and 11 black keys—
2.2BasicsGUIDE.md §3

Four tracks, four colours

SLOOP is built around four tracks that play together. Turn ALGORITHM to choose which one the keys, the knobs and REC act on — on every screen. The screen, and the whole web editor, takes on the selected track’s colour.

TrackColourWhat it plays
1BlueA synth sound on any of the twelve engines
2GreenA synth sound
3YellowA synth sound
4OrangeThe drum machine: one of 16 sounds on each white key
  • The three synth tracks draw on one pool of eight voices (Polyphony and voice modes). The drum track has its own six.
  • Each track’s colour matches a knob: blue KNOB 1, green KNOB 2, yellow KNOB 3, orange KNOB 4. Where a layer gives each track a knob — levels in the GLO layer, for instance — the colours tell you which is which.
  • Two colours always mean the same thing: white is whatever you are touching right now, and red means recording.

The drum track works differently from the synth tracks in places: its keys are fixed sounds (The 16 drum sounds), OCT- and OCT+ become ghost and hard hits (Ghost notes, hard hits and ratchets), and its sound settings live on the DRUMS screen (The DRUMS screen).

2.3BasicsGUIDE.md §3

Tap for pages, hold for a layer

Each function button does two things. Tap it and its pages open — the sound design and settings screens, much as on any FM-1 firmware. Hold it and you are in a layer: while the button stays down, the 16 white keys and KNOB 1–4 do something else. Let go and the keys play notes again.

The seven layers

ENV and LFO have no layer; they only open pages. A layer’s screen appears once you have held the button for 0.35 s, or straight away when you touch a key or knob, so a quick tap never flashes it. The screen then shows the white keys as 16 tiles in four rows — keys 1–4, 5–8, 9–12, 13–16 — and the knobs as four dials.

Inside any layer

  • PLAY still starts and stops.
  • SELECT always sets the tempo.
  • ALGORITHM and PRESETS wait: turning them in a layer doesn’t make the track or sound jump when you let go.
  • The first key of each row — KEY 1, KEY 5, KEY 9, KEY 13 — glows faintly to mark where each row starts, which lets you find a tile by feel. A key lit at full brightness means that tile is active.

From the community

Sloop - Firmware for the M-VAVE FM-1 Complete tour

3dSam

A seven-minute tour of SLOOP 2.2 from 3dSam, the channel behind SLOOP, played on SLOOP itself. Much has been added since, but the layers it shows work the same way.

2.4BasicsGUIDE.md §3

Locking a layer open

Holding a button with one hand leaves only the other for keys and knobs. Lock the layer and it stays open after you let go: one hand on the keys, the other on the knobs. The screen shows LOCK and the layer’s button blinks.

Key combinations

Any layer button + HOME
Locks that layer open, so you can let go of its button.
Tap HOME or the layer’s button
Releases the lock and does nothing else.While a layer is locked

While a layer is locked

  • PLAY, REC, OCT- and OCT+ keep working as usual.
  • Any other button — HOME, the layer’s own button, ENV and the rest — releases the lock, and that press does only that.
2.5BasicsGUIDE.md §5, §26

Every button on its own

Before the combinations, the basics: every control by itself. Layer combinations live in the chapters that use them (The seven layers at a glance).

Key combinations

Tap PLAY
Starts or stops all four tracks; in song mode, plays the song. Works inside every layer.
Tap REC
Arms recording while stopped, records at once while playing, and closes a free take.
Tap SAVE
Opens the SONG screen from TRACKS or DRUMS, saves the song on the SONG screen, and opens the SAVE pages anywhere else.
Tap HOME
Goes to the TRACKS screen.
Hold HOME
Opens the menu after 0.7 s; hold it again to leave.
Tap ENV
Opens the envelope pages.
Tap LFO
Opens the LFO pages.
Tap FX
Opens the effect pages: sends, filter, slicer, insert, delay, reverb and chorus.
Tap SEL
Opens the key, scale and chord pages.
Tap EDIT
Opens the engine pages of the selected synth track, then its voice pages.
Tap ARP
Opens the arpeggiator pages.
Tap SEQ
Opens the NOTES page and then PATTERN on a synth track.
Tap GLO
Opens the global pages: tempo, master, system, drums, texture and MIDI.
Turn ALGORITHM
Selects track 1–4, on every screen.
Turn PRESETS
Picks the selected track’s sound, or the kit on the drum track.
Turn SELECT
Sets the tempo.On the TRACKS screen or inside a layer
Turn KNOB 1–4
Changes whatever the four dials at the bottom of the screen show.
Turn MASTER
Sets the output volume for headphones and line out.

Where the rules bend

2.6BasicsGUIDE.md §13, §16

Pages, the SELECT knob and GO values

Tap a button and its first page opens — or the page you last used, since each button remembers it. Each further tap moves on a page; SELECT moves backwards or forwards and halts at either end. A counter after the title, such as PATTERN 2/2, shows where you are among that button’s pages.

Key combinations

Turn SELECT
Steps to the previous or next page of the same button, stopping at the ends.On a page
Turn KNOB 1–4 one click, then one more
Arms a GO value with the first click, showing AGAIN: …, and carries it out with the second within about 1.5 s.On a GO value

Which pages each button opens

ButtonPages, in orderExplained in
ENVENV, ENV DESTThe envelope
LFOLFO, LFO 2, LFO DESTThe LFO
FXFX, FILTER, SLICER, INSERT, INSERT 2, DLY, REV/CHOThe signal path
SELSEL, SEL 2Key and scale
EDITEDIT 1, EDIT 2, FILTER on ANALOG only, VOICE, VOICE 2The twelve engines
ARPARP, ARP 2The arpeggiator
SEQNOTES, PATTERN, then the SONG screenThe NOTES page: a piano roll for synth tracks, The PATTERN page: length, division, swing and gate
GLOGLOBAL, MASTER, SYSTEM, DRUMS, TEXTURE, TEXTURE 2, MIDI, MIDI 2, MIDI 3Master effects: DUST, DUCK, FILT, ROLL, MIDI channels and the MIDI 2 page
SAVEPRESETS, USER, SECTION, TOOLSThe SAVE pages
  • Global pages — DLY, REV/CHO, GLOBAL, MASTER, SYSTEM, DRUMS — are the same whichever track is selected.
  • On the drum track, pages that don’t apply to drums show DRUM TRACK.
  • The SONG screen that follows PATTERN is a screen of its own, not counted in the page number.
  • Most sound parameters on these pages can be locked to a single step — not the pattern, arpeggiator, key or voice-mode ones (Parameter locks).
2.7BasicsGUIDE.md §15

The screens

Your home base is the TRACKS screen, the performance view: tempo, swing, transport and bar.beat at the top, then each track with its sound, steps, playhead, level and badges for mute, solo and recording. Since 2.8 a coloured badge from A to D next to the title shows which song section is playing. Tap HOME from anywhere to get back to it.

HOME · TRACKSTap HOME.

SWINGGlobal swing

Swing for all four tracks together. Each track also has its own (Metronome, tempo and swing).

KNOB 1

ScreenHow you get thereWhat it shows
TRACKSTap HOMEAll four tracks at a glance; the knobs above
VisualiserTap HOME on TRACKSA full-screen picture of the music (The visualiser)
A layerHold a layer button16 tiles and four dials in the layer’s colour (Tap for pages, hold for a layer)
PagesTap a function buttonFour values, either as coloured graphs or in large type laid out like the knobs (Pages, the SELECT knob and GO values)
DRUMSTap EDIT or SEQ on TRACKS with the drum track selectedThe step grid or the kit (The DRUMS screen)
REC READY, FREE TAKE, COUNT-INREC while stoppedRecording options on the knobs, then the take itself (The REC screen)
The hold ringHold RECA ring filling until the track clears (Undo, clear and start again)
SONGTap SAVE on TRACKSThe order of the song’s sections (The SONG screen)
MenuHold HOMEThe FM-1’s settings (The HOME menu)

The top line of every screen doubles as a message bar, where short confirmations appear as you work — KEY D, ERASED, NEXT: B, chain A B B C, lock flt 12, or AGAIN: SAVE while a GO value waits for its second click.

From the community

  • An owner who tried SLOOP and then another groovebox firmware found SLOOP the easier of the two, partly for its larger lettering on the small screen. via alexbuga on Elektronauts
2.8BasicsGUIDE.md §19

The visualiser

On the TRACKS screen, tap HOME once more and the whole display turns into a picture of what SLOOP is playing. The music carries on as normal: the keys, PLAY, REC and the layers all work, and holding a layer button shows its screen before the visualiser returns.

Key combinations

Tap HOME
Opens the visualiser.On the TRACKS screen
Turn SELECT
Shows the next or previous style; its name appears for a second.In the visualiser
GLO + SELECT
Sets the tempo.In the visualiser
Tap HOME
Closes the visualiser; any page button does too.In the visualiser

The twelve styles

Reading the sound
OSCILLOSCOPE, a frozen trace of the waveform · SPECTRUM, 32 frequency bands with caps that drop slowly · SPECTROGRAM, the spectrum scrolling downwards from black through blue, green and yellow to white · LISSAJOUS, the stereo picture: the wider the cloud, the wider the mix.
Meters
VU METERS, one per track in its colour plus the mix, with peak holds · TAPE, two turning reels with the level, bar and tempo · LCD, the tempo in seven-segment digits with bar, beat and four track meters.
Playful
CIRCLE, the wave wrapped round a ring that swells with each kick · BOUNCE, a ball for each track, knocked up by its notes · ORBIT, four planets taking 1, 2, 4 and 8 beats to circle a central sun that throbs with the music · WIRES, a string per track set swinging by its notes · SLOOP, the logo come alive, its sail’s four bands the tracks, the boat rocking on a wave.
2.9IntermediateGUIDE.md §20

The HOME menu

Hold HOME for about 0.7 s and the menu opens; hold it again to close it. Everything here is a setting of the FM-1 itself, not of your music: loading a project or starting a new one never changes it. The menu has five sections — SCREEN, LIGHTS, AUDIO, SEQ and SYSTEM.

Key combinations

Turn SELECT
Moves to the previous or next section.In the HOME menu
Turn PRESETS
Moves the cursor between rows.In the HOME menu
Tap OCT+
Steps the setting under the cursor, or opens it.In the HOME menu
Tap OCT-
Closes; from ABOUT, goes back to the section.In the HOME menu
Hold HOME
Leaves the menu.In the HOME menu

You can also set a row directly with the knob in its colour. The LIGHTS section has its own section in this guide: Lights and knob feel.

HOME · MENU · SCREENHold HOME, then turn SELECT to SCREEN.

COLOR

The screen palette. A theme you made in the editor joins the list after MONO once you have sent it (Your own screen theme).

KNOB 1Range GREEN, AMBER, CYAN, RED, MONO, your theme

HOME · MENU · AUDIOHold HOME, then turn SELECT to AUDIO.

SPEAKER LOWCUT

ON removes the lows, below about 110 Hz, that the small built-in speaker can’t play.

KNOB 1

HOME · MENU · SEQHold HOME, then turn SELECT to SEQ.

STEP ADVANCE

ON, the default: the NOTES page moves to the next step when you let go of the keys. OFF: it stays, so you can play a chord again on the same step; KNOB 1 moves the cursor (The NOTES page: a piano roll for synth tracks).

KNOB 1Range ON, OFF

HOME · MENU · SYSTEMHold HOME, then turn SELECT to SYSTEM.

2ND CORE

ON, the default: the sound is shared across both of the FM-1’s cores, roughly doubling the room before the processor runs out, with the same sound. Takes effect at the next power-on.

KNOB 1Range ON, OFF

2.10BasicsGUIDE.md §20

Lights and knob feel

On a black FM-1 the printed labels are almost invisible without light. The LIGHTS section of the HOME menu makes the buttons glow so you can read them on a dark stage, and can light the keys too.

HOME · MENU · LIGHTSHold HOME, then turn SELECT to LIGHTS.

LIGHTS

The glow of every button, so its label can be read in the dark.

KNOB 1Range OFF, LOW, MID, HIGH

Whatever LIGHTS is set to, anything that is switched on — the page shown, PLAY, REC, an octave — stays at full brightness and still blinks. With NOTES on, every note keeps its key lit for a minimum of 0.1 s, which makes even brief sequencer notes visible; this works on every page and in every layer. The drum track always lights its hits.

What the lights always tell you

  • PLAY flashes on every beat.
  • REC blinks while armed and stays lit while recording.
  • The button whose page is on screen is lit.
  • In a layer, KEY 1, KEY 5, KEY 9 and KEY 13 glow dimly as landmarks; whatever is switched on is fully lit.
  • OCT- or OCT+ lights when the octave isn’t 0.
  • A locked layer’s button blinks (Locking a layer open).

Knob feel (2.7). Turn slowly and every detent is one value, for fine tuning. Turn faster and the value covers more ground, building up to ×16 on the widest ranges. When you reverse to correct an overshoot it drops back to single steps, and named choices are never skipped over. If you prefer one value a detent everywhere, set KNOB ACCEL to OFF in the SCREEN section (The HOME menu). LEVEL and PAN also glide over about 3 ms instead of stepping, so moving them on a held note makes no zipper noise. Both ideas come from JIANT FM by juanjiant-bit.